GRATIANO. A) providing Antonio a place to hideout B) trying to undo the bond C) knowing Jessica was leaving D) knowing where Jessica is hiding 3. That ever blotted paper. Nor well, unless in mind; his letter there (Aside) How all the other passions fleet to air, Come, let’s go! We speak of “merchant princes,” meaning very great men of business, fleece : wealth, fleece : here signifies “wealth.” A sheep’s riches consists of the fleece on its back. As, after some oration fairly spoke Making them lightest that wear most of it: And every word in it a gaping wound Questions focusing on Portia, and Bassanio choosing a casket. If that the youth of my new interest here To come with him along. BASSANIO : If you promise to grant me my life, I would confess the truth. Our feast shall be much honour'd in your marriage. But let me hear the letter of your friend. Shylock tells them that Antonio should "look to his bond" and make sure he repays the money, or else Shylock is planning on taking his pound of flesh. Nor rest be interposer 'twixt us twain. And yet a maiden hath no tongue but thought,— Gentle lady, when I first gave my love to you, I freely told you that all the wealth that I had Ran in my veins, I was a gentleman; and then I told you the truth. That I was worse than nothing; for indeed Modern English Reading Act III Scene II BASSANIO : Let me choose;Because as I am, I live in torture. Myself and what is mine to you and yours Then music is Which makes me fear th' enjoying of my love: BASSANIO : What do I find here? In doing courtesies; and one in whom these naughty times put bars between the owners and their rights : “the evil times we live in put obstacles between men and their rightful property.” Portia refers to the compulsory choice between the caskets, as a barrier to be surmounted before Bassanio can possess himself of what is already his own by right, herself. To have her love, provided that your fortune The Merchant of Venice Act 3 Scene 2 Lyrics. PORTIA : Yes, but I’m afraid you speak out of torture, where men will say anything. PORTIA : In torture, Bassanio! Madam, it is, so you stand pleas'd withal. I’m talking too long, but it’s to balance the time, To lengthen it, and to draw it out in length, To keep you from choosing. O sweet Portia! How begot, how nourished? The idea here is that of a beautiful cloth covering the thick lips and flat nose of a negress, a fair outward appearance concealing ugliness, seeming truth : a false appearance of truth, hard food for Midas : Midas was an ancient king who was allowed to ask a certain favour from the gods. Thus the first should have been left without its companion eye (unfurnish’d = unaccompanied), doth limp behind the substance : moves like a lame person (limp) in an unsuccessful effort to keep up with the original, continent: that which contains; the container, you that choose not by the view : the whole principle on which the choice of the caskets is founded is expressed in this line, namely that men should not choose by outward appearances, but should look deeply for the real meaning of things, by note : according to this instruction, your leave : kissing her. THE MERCHANT OF VENICE. Move these eyes? Hate counsels not in such a quality. My lord and lady, it is now our time, As Act III opens, who are discussing the fate of Antonio’s ships? First go with me to church and call me wife, Therefore, thou gaudy gold, Giddy in spirit, still gazing in a doubt Turn to where your lady is I thank your lordship, you have got me one. Ay, but I fear you speak upon the rack, Fading in music: that the comparison Achiev'd her mistress. Bassanio opens the letter. Then music is sounds as the trumpets when true subjects bow to a new-crowned king; music is those sweet sounds at sunrise that creep into the dreaming bridegroom’s ear and summon him to marriage. PORTIA. In this case, ill-fortune should receive the punishment of hell-fire for such a breach of her oath, and not herself, to peize the time : to “peize” anything meant to retard it by hanging weights upon it. BASSANIO. Copyright © 2006—2020 by the Florida Center for Instructional Technology, College of Education, University of South Florida. How many cowards, whose hearts are all as false BASSANIO. I pray you tarry; pause a day or two Nerissa and the rest, stand all aloof; Roman honour : in the early days of the Roman empire the Romans were famed all over the world for the strict and un wavering code of high honour which distinguished their national life. In the cradle where it lies. For I am sure you can wish none from me; Oh, love! O happy torment, when my torturer, Doth teach me answers for deliverance : still the metaphor of the rack. That he would rather have Antonio's flesh Come, away! And not one vessel escaped the dreadful touch of the rocks that can break a merchant? ; Because as I am lock 'd in your marriage Act 3 Scene 2 of the Technology... Of what does Shylock accuse Salerio in Scene 1 your friend same.... Me ; I come by note, to give and to receive, constitution normal condition ; self-control constant. Dead. ” of national honour was made the theme of many a Song, whilst Bassanio comments the... 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