Cole’s experiences in rehab became the inspiration for the group’s latest record, Deceiver, and while the album displays the group’s darkest sound yet, it also ends up being their most earnest. Oh My God also has a certain unabashed exuberance that’s uncommon in circa-2019 indie rock. The wider, dynamic sound texture across Deceiver is one of the most apparent improvements from past records with a clear, crisp approach that avoids sterility. Throughout, Donnelly sings in a thick Perth accent, and her vocals are dotted with audible laughter, theatrical flourishes, inspired instances of talk-singing, and other oddities. … Fontaines D.C., “Boys in the Better Land”. “This is not ’93 / You lost your spot on the team,” she sings in that opening cut, a deceptively sunny-sounding kiss-off to an abusive man. \Marking at least the second mention of cocktail ingredients on this album, “Red Bull & Hennessy” is a delicious display of desire. For someone with a documented predilection for idiosyncrasy and experimentation, she sounds completely at ease in these songs, and ready for bigger things ahead. There are exultant singalongs (“In Your Head,” “Heavyweight Champion of the World”), luscious, bittersweet slow-burners (“Melt,” “Safety Net”), and sometimes humorous, sometimes alarming spoken-word interludes, which cultivate a transcendent alternate reality (“WWAY HEALTH,” “Sparkle GOD HELP ME,” “Experience?”). —Zach Schonfeld, Singer/songwriter Sharon Van Etten experienced a lot of change after the release of her last album, 2014’s Are We There, and they’re the kind of life-altering shifts—newfound romantic partnership, motherhood, career advancements—that are all but destined to reveal themselves in one’s art. Venture forth. —Zach Schonfeld, There is no room for nostalgia in Sleater-Kinney’s reunion. The realization—the one arriving after a breakup, before a solo move, following a graduation, etc.—that you’re actually in this thing alone and only you are in the driver’s seat can leave you feeling scared silly. From the plucky and frenzied guitars on lead single “You Had Your Soul With You” to the pulsating percussion of fan-favorite “Rylan” to the dazzling orchestral strings on album closer “Light Years” (another track that could be argued as one of The National’s best to date), I Am Easy to Find doesn’t radically change the formula they developed over the past couple of releases, but it nearly perfects it, resulting in a record as elegant as the suits Berninger routinely wears onstage. Thanks to her zeal for odd sonic experiments, Le Bon effectively transposes that jarring state of consciousness into sound. One could even argue, the two songwriters—ages 25 and 38 respectively—are like long-lost musical siblings. indie617 is a music-focused, streaming digital radio station that is independently owned-and-operated. A few songs before the album’s end is a soaring piano number, “Endling,” that’ll make you think you’ve been sitting through a period piece film as opposed to an album. Artists to Watch: 17 Alternative & Indie Breakouts For 2019. Oh My God is not one of them. Across six solid albums—peaking with 1998’s American Water—his songs spilled over with double-take-worthy wisdom and witticisms built from approachable language. He’s been there long enough to write about the city with authority. 25 May 2020, 14:00 | Updated: 25 May 2020, 14:01. With an album that borders on soul, pop, jazz and rock, Yanya is far too preoccupied with her inner demons and unique artistry to quibble over what one particular genre her music most closely resembles. And for all its bold sonic upheavals—the addition of drum machines and electric shred and cavernous synth—Remind Me Tomorrow maintains Van Etten’s gothic sensibilities. And the trio (now duo) did not spend 2017 going around playing Dig Me Out on some obligatory 20th anniversary run. Vampire Weekend proved their talent with a trio of excellent albums in 2008-2013. Except that with these 50 ultimate indie workout songs, you now have a guide. Julia Jacklin’s Crushing, one of our top 10 favorite albums of the year, fell on the quieter side, nearly breaching folk territory. The 25 Best Rock & Alternative Songs of 2019: Staff List 1. Picture: Henrik Sorensen/Getty Images Securing that agency, however, was no walk in the park. —Ellen Johnson, New York indie-folk outfit Big Thief have been touring constantly for four years in conjunction with their first two full-lengths—2016’s Masterpiece and 2017’s Capacity—and their third album U.F.O.F. —Max Freedman, Stella Donnelly references the ’90s one minute and 10 seconds into her debut album, Beware of the Dogs. The best Indie Songs for a house party. Let it be easy. 9. It’s guitar music that fluctuates from artist to artist. Updated monthly, so check our previous playlists here : II LISTEN PREVIOUS MONTHLY PLAYLISTS (curating monthly playlists since 2010) 80 songs. Olsen still deals with bad partners on her fourth album, All Mirrors, but this time around, she escapes their destruction and finds not just happiness, but catharsis. This is an emotionally multi-faceted album to luxuriate in. And each time she releases a full-length album, her destination comes a little more into focus. On his latest and, sadly, last album—self-titled and released under the name Purple Mountains—Berman doesn’t sound like a different person than the one that walked away a decade ago. We've already heard new music from established acts like Foals and Catfish and the Bottlemen, plus fresh tracks from emerging acts including Sea Girls, Jade Bird and The Amazons. I’ll … Indie Hits 2020- New Indie Alternative - Best Indie Songs - Indie Music - Alternative We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. —Ben Salmon, Phoebe Bridgers and Conor Oberst come from the same musical orbit. It’s a status quo that’s both decaying our souls and reigning very much supreme, and these songs register ambient anxiety that pricks the brain like a migraine that won’t go away. Here, we have rock ‘n’ roll mixed in with poppier findings, folk-leaning pieces and punk records. Even on that lo-fi bundle of echo and noise, you could hear Mering’s gift for haunting melody and the folk form hovering slightly below the surface. Stella Donnelly – Beware of the Dogs [Secretly Canadian] Like 2005’s The Woods, The Center Won’t Hold finds Sleater-Kinney bringing in a big name producer to jolt their routines and play more than a symbolic role in the record-making process. —Ellen Johnson, Cate Le Bon’s Reward cleaves into two distinct halves, one that pulses with ideas and legible emotions and another that wanders, sputters, and jars under a pretense of free-associative experimentation. The sound matches the scope of blackgaze contemporaries like Deafheaven—who DIIV have toured with—without crossing the threshold into metal. —Zach Schonfeld, Style over substance is never a smart method for making art, and London based singer/songwriter Nilüfer Yanya masterfully obliterates that concept on her debut album, Miss Universe. In many ways, this new aesthetic suits Girlpool’s evolution: from a point-of-view that was unabashedly adolescent to a phase of young adulthood often processed through wandering rumination rather than pithy, sarcastic takes on life. —Lizzie Manno, Autonomy can be damn frightening. —Steven Edelstone, Listening to Girlpool’s startling 2015 debut Before the World Was Big felt like digging into a bag of saltwater taffy, unwrapping small portions that were taut, sticky sweet, and a little bit briny. We also heard releases from indie rock greats like The National and Vampire Weekend, proving that even as bands grow and evolve, they can stay true to the indie rock sound. Instead, it feels like Mering knows exactly where she’s going. As ever, Lewis’ attention to detail and location is mesmerizing. The Best Indie Rock Albums of 2019. At its best, The Center Won’t Hold is an urgent and deliriously impolite record about powering through exhaustion, despair and the ambient dread any feminist feels pretty much constantly in 2019. The best lyric on the album just might be the first on hearty pop-rocker “Bloom”: “I get anxious on the weekends / When I feel I’m wasting time / But then I think about Tom Petty / And how he wrote his best songs when he was 39.” And the chorus that follows is even better—and more to the point that growing up yields beauty: “And let your spirit bloom / Step into whatever you want to.” Now there’s a command we can get behind. In the heat of August, PVRIS dropped “Hallucinations,” the triumphant statement of an... 2. Click to copy. With Big Thief, it won’t be. Instead of writing about his negative memories of the place (“I never married but Ohio don’t remember me” he sang on 2010’s “Bloodbuzz Ohio”), he experienced firsthand how both he and the Midwest had changed, particularly since the election of Donald Trump, launching into a full and abstract stream of consciousness about his journey home. Much of the record could still loosely fall into the folk camp, but there are moments that you wouldn’t expect from Oberst and Bridgers. He sounds rejuvenated, perhaps buoyed by his new backing band, the Brooklyn psych-folk group Woods. The Best Indie Albums Of 2019, Ranked Music Full of transformation and deserved indignation, The Center Won’t Hold is the first Sleater-Kinney album since the rest of the world started to catch up. But to make matters a bit confusing—the “indie rock” sound isn’t just one thing. On The Line, her best solo work to date, finds her trading chaos for peace and pain for parties. If any actual believers were within earshot—well, that’s fine too. View reviews, ratings, news & more regarding your favorite band. Nonetheless, the lush, sometimes crushing instrumentation speaks to the daunting task Cole has undergone to restore himself. And here, on her fifth studio effort Remind Me Tomorrow, those evolutions are apparent in a powerful sonic swerve, and in Van Etten’s desire to explore both nostalgia and rebirth, and maybe even how they intertwine. Two Hands does not dramatically depart from the mesmerizing folk-rock fusion of U.F.O.F., but its best moments emphasize the band’s gnarled electric energy, particularly on the career highlight “Not.” When an artist releases two studio albums in one year, it’s customary for critics to grumble about hubris, usually accompanied by the suggestion that the two separate releases should have been whittled down into one. Listen to the playlist titled Best Songs of August 2019 on Indie Shuffle, the human-powered music blog. 21. It houses SugarHouse Casino, a dystopian abyss of colorful images leaping forth from slot machines and laser-bright ceiling lights hovering over card tables where gamblers can earn $150 in blackjack, lose it and swear off gambling forever (which may or may not have happened to this writer). Perhaps most triumphantly, Yanya pulls off jazz-infused, scrappy guitar pop with much more emotional and musical nuance than the buzzy, male-dominated “sad boi” acts like Rex Orange County or other beanie-donning dudes with keyboards and Stratocasters. Here is our alternative first dance songs YouTube playlist, make sure you subscribe and save! Friday Crush ( Love At First Listen) 'New Music 2020 - 2021' NEW Indie / Alternative : December 2020 Songs & Best Indie Vibe 2020 by indiemono. The stars aligned just in time for Bridgers and Oberst to write, record and surprise-drop a haunting album together for a brand new project: Better Oblivion Community Center—which really is their band name and not actually the name of a utopian old folks home. Its largely upbeat instrumentation ebbs and flows with understated folky strums and scintillating keyboards, and the occasional ray of buoyant rock ‘n’ roll peeks out just when you need some lighthearted relief from their lyrics. "Alternative" takes on the Christmas record don't have to be avant-garde, oddball, or sarcastic readings. Though at vastly different points in their careers, both musicians know how to crush and revive listeners with inspired woe, romantic poignancy and their instantly recognizable, consoling pipes. Oh My God has a ramshackle energy to it, as well as a distinctly vintage instrumental ambience, that’s likely to encourage such comparisons. The pianos crackle; the organs rumble and groan (see: “Nothing Sacred / All Things Wild”); everything has that fuzzy analog glow. Or it can leave you feeling high on independence. The album’s epic closer, “Acheron,” shows just how much life good production can breathe into a song when it explodes into a gigantic finale of fuzz. Here are some of the very best indie songs of 2019 in one playlist, which we'll update as the year goes on... > Like this? She makes a boxing reference, namedrops Elliott Smith and the “sycophants in Marrakesh,” recalls a run-in with “Harlem nuns” and relaxes with a pack of Marlboros all before proclaiming, “Maybe a little bit of hooking up is good for the soul.” In a most delightful way, “Heads Gonna Roll” is about everything and nothing. Julia Jacklin’s Crushing is a striking search for self, a call to upend that which tethers you down. But this newfound expansiveness comes with certain drawbacks, for pulling something into new and bigger shapes risks stretching the material thin. Best of 2020 : Indie / Alternative Songs. That’s just the magic of Four of Arrows—it’s visceral, from start to finish. Sad Songs for crying yourself to sleep. The indie rock outfit have gained cult acclaim, and sit firmly in the late 90’s obsession with a style of psychedelic folk and sombre songs. Indie Discotheque dabbles in all of the nuances of indie and alternative dance, synth, and disco music throughout our programming, and because of that, I always worry I’m not going to have the right tunes for my personal favorite chart - the indie dance chart.As it turns out, I have no need to worry, because there are always so many amazing songs to choose from. NEW Indie/Alternative 2020 songs; suggestions for you to enjoy & maybe to discover something new. 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